Deutschland Öl Gemälde Reproduktion, Kein Minimum!

 
 

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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations

Gemälde ID::  261

Kreuzigung
Museo dell'Opera del Duomo, Siena
Museo del Duomo, Siena
1255-1318 Italian Duccio di Buoninsegna Locations

   
 

 

 
   
      

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Matthias Grunewald

German 1475-1528 Matthias Grunewald Galleries

Gemälde ID::  1833

Kreuzigung
1510-15
1510-15
German 1475-1528 Matthias Grunewald Galleries

   
 

 

 
   
      

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Simon Vouet

French Simon Vouet Gallery 1590-1649

Gemälde ID::  10140

Kreuzigung
1622 Oil on canvas, 375 x 225 cm Chiesa del Gesu Genoa
das Öl von 1622 auf Leinwand, 375 X 225 cm Chiesa del GesuGenoa
French Simon Vouet Gallery 1590-1649

   
 

 

 
   
      

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Odilon Redon

French Symbolist Painter, 1840-1916

Gemälde ID::  11684

Kreuzigung
ca 1910 10'' x 1' 6 1/2''(25.7 x 47.1 cm)Bequest of Mrs.Ari Redon,1982
ca 1910 10~~ X 1~ 6 1/2~~ (25,7X 47,1 cm) Vermächtnis von Frau. Ari Redon, 1982
French Symbolist Painter, 1840-1916

   
 

 

 
   
      

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Eugene Carriere

French Symbolist Painter, 1849-1906

Gemälde ID::  11691

Kreuzigung
Salon of 1897 7 5 1/4'' x 4 3 1/4''(227 x 130 cm)
Salon von 1897 7 5 1/4~~ X 4 3 1/4~~ (227 X 130 cm)
French Symbolist Painter, 1849-1906

   
 

 

 
   
      

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Francisco de Zurbaran

1598-1664 Spanish Francisco de Zurbaran Galleries

Gemälde ID::  29181

Kreuzigung
mk65 1650s Oil on canvas 104x38'
Ölen mk65 1650er Jahren auf Leinwand 104x38-
1598-1664 Spanish Francisco de Zurbaran Galleries

   
 

 

 
   
      

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CARPIONI, Giulio

Italian painter, Venetian school (1613-1674)

Gemälde ID::  32276

Kreuzigung
c. 1648 Oil on canvas, 205 x 131 cm
c. das Öl von1648 auf Leinwand 205 X 131 cm
Italian painter, Venetian school (1613-1674)

   
 

 

 
   
      

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GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337

Gemälde ID::  33298

Kreuzigung
mk86 1303-1305 Fresco Padua Arena Chapel
mk86 1303-1305 Freskogemälde Padua Arena Kapelle
Italian Early Renaissance Painter, 1267-1337

   
 

 

 
   
      

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Grunewald, Matthias

German Northern Renaissance Painter, ca.1470-1528

Gemälde ID::  33517

Kreuzigung
mk86 1512-1516 Oil on wood 269x307cm
mk86 1512-1516 Öle auf Holz 269x307cm
German Northern Renaissance Painter, ca.1470-1528

   
 

 

 
   
      


Gemälde ID::  38396

Kreuzigung
c. 1476 Tempera on wood, 154 x 98 cm Hungarian National Gallery, Budapest
c. der Tempera von 1476 auf Holz, 154 X 98 cm Ungarischer Nationaler Galerie, Budapest

   
 

 

 
   
      

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Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar

Gemälde ID::  39702

Kreuzigung
mk150 c.1500/1501 58.5x45cm
mk150 c.1500/1501 58.5x45cm
b. 1472, Kronach, d. 1553, Weimar

   
 

 

 
   
      

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Bernardo Daddi

active in Florence 1320-1348

Gemälde ID::  40144

Kreuzigung
mk156 c.1335 Tempera on panel 36x23.5cm The National Gallery of Art. Washington D.C
der Tempera von mk156 C. 1335 auf täfelt 36x23.5cm Die Nationale Galerie der Kunst. Washington D. C
active in Florence 1320-1348

   
 

 

 
   
      

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Luca Signorelli

Crtona 1441-1523

Gemälde ID::  40286

Kreuzigung
mk156 c.1500 Oil on canvas 247x117.5cm
das Öl von mk156 C. 1500 auf Leinwand 247x117.5cm
Crtona 1441-1523

   
 

 

 
   
      

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Grunewald, Matthias

German Northern Renaissance Painter, ca.1470-1528

Gemälde ID::  40306

Kreuzigung
mk156 1515 Oil on wood 269x307cm
das Öl von mk156 1515 auf Holz 269x307cm
German Northern Renaissance Painter, ca.1470-1528

   
 

 

 
   
      

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Tintoretto

Italian Mannerist Painter, ca.1518-1594

Gemälde ID::  40385

Kreuzigung
mk156 1565 Oil on canvas 536x1224cm
das Öl von mk156 1565 auf Leinwand536x1224cm
Italian Mannerist Painter, ca.1518-1594

   
 

 

 
   
      

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TINTORETTO, Jacopo

Birth Year:, 1518. Death Year:, 1594

Gemälde ID::  41142

Kreuzigung
mk157 1565 Oil on canvas 536x1224cm
das Öl von mk157 1565 auf Leinwand 536x1224cm
Birth Year:, 1518. Death Year:, 1594

   
 

 

 
   
      


Gemälde ID::  43549
Crucifixion
1501-1550 c. 1500 Tempera on canvas 85 x 67,3 cm

   
 

 

 
   
      


Gemälde ID::  43565
Crucifixion
1490s Oil on wood 57 x 47 cm

   
 

 

 
   
      

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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries

Gemälde ID::  58198
Crucifixion
Crucifixion (a scene rarely set on the banks of a large river) by Altdorfer, c. 1520
German 1480-1538 Albrecht Altdorfer Galleries

   
 

 

 
   
      

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Bernardo Daddi

active in Florence 1320-1348

Gemälde ID::  58521
Crucifixion
Crucifixion (1340-1345)
active in Florence 1320-1348

   
 

 

 
   
      

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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Gemälde ID::  61484
Crucifixion
Chiesa del Gese, Genes,375 X 225 cm.1622
b. 1590, Paris, d. 1649, Paris

   
 

 

 
   
      

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BRAMANTINO

Italian High Renaissance Painter, ca.1460-1530

Gemälde ID::  63534
Crucifixion
1515 Oil on canvas, 372 x 270 cm Pinacoteca di Brera, Milan This painting may have come from the church of S. Maria di Brera. At one time it was probably an organ shutter. It was formerly attributed to Bramante. A late work, this painting reveals Bramantino's background. His roots were in the art of Ercole de' Roberti, the most energetically emotional fifteenth- century painter in northern Italy. It is from this source that Bramantino drew his highly dramatic style, which led him to freeze the tragedy of the Crucifixion within a framework of lucid abstraction. At the same time he seized the opportunity to seek out new means of formal expression. The crosses of the two thieves are arranged in terms of a centralized perspective, creating a space almost like an interior, and leading directly to the background where typical Bramantino buildings are silhouetted against an evening sky. (One of the buildings resembles the Trivulzio mausoleum, which was designed by the artist.) The marked bisymmetry of the painting, with angel and demon, sun and moon, is less structured in the choral rhythm of the foreground. The Madonna's grief is represented within the circle described by the hands of the saints, while the Magdalene lifts her arms toward the cross as if to raise it up to heaven. A strict intellectual approach dominates the colour scheme, in which subdued olive greens, golden grays and browns predominate.Artist:BRAMANTINO Title: Crucifixion Painted in 1451-1500 , Italian - - painting : religious
Italian High Renaissance Painter, ca.1460-1530

   
 

 

 
   
      

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BALDUNG GRIEN, Hans

German Northern Renaissance Painter and Printmaker, ca.1484-1545

Gemälde ID::  63688
Crucifixion
1511 Chiaroscuro woodcut, 347 x 260 mm Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Crucifixion Painted in 1501-1550 , German - - graphics : religious
German Northern Renaissance Painter and Printmaker, ca.1484-1545

   
 

 

 
   
      

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BRUEGHEL, Pieter the Younger

Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp).

Gemälde ID::  64484
Crucifixion
1617 Oil on wood, 82 x 123 cm Museum of Fine Arts, Budapest It is assumed that the painting is copy of lost painting of Pieter Bruegel the Elder. There are several other copies differring only in the background. Artist:BRUEGHEL, Pieter the Younger Title: Crucifixion, 1551-1600, Flemish , painting , religious
Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp).

   
 

 

 
   
      

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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796

Gemälde ID::  64576
Crucifixion
1758 Fresco Parish Church, S?meg Artist:MAULBERTSCH, Franz Anton Title: Crucifixion, 1751-1800, Austrian , painting , religious
Austrian Painter, 1724-1796

   
 

 

 
   
      

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GADDI, Agnolo

Italian Early Renaissance Painter, ca.1345-1396

Gemälde ID::  64767
Crucifixion
1390-96 Tempera on wood, 57,5 x 77 cm Galleria degli Uffizi, Florence , GADDI, Agnolo , Crucifixion , 1351-1400 , Italian , painting , religious
Italian Early Renaissance Painter, ca.1345-1396

   
 

 

 
   
      

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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492

Gemälde ID::  64938
crucifixion
se
Italian Early Renaissance Painter, ca.1422-1492

   
 

 

 
   
      


Gemälde ID::  69062
crucifixion
venice, galerie dell,accademia. 287x447cm se

   
 

 

 
   
      


Gemälde ID::  69068
crucifixion
budapest, museum of fine arts 149x90cm se

   
 

 

 
   
      

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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries

Gemälde ID::  77217
Crucifixion
Date ca. 1526(1526) Medium linden Dimensions Width: 21 cm (8.3 in). Height: 29 cm (11.4 in). cyf
German 1480-1538 Albrecht Altdorfer Galleries

   
 

 

 
   
      

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Maarten van Heemskerck

(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

Gemälde ID::  83293
Crucifixion
Date between 1545(1545) and 1550(1550) Medium Oil on wood cjr
(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  84043
Crucifixion
Date between 1502(1502) and 1503(1503) Medium Oil on wood Dimensions Height: 281 cm (110.6 in). Width: 165 cm (65 in). cjr
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Luca Signorelli

Crtona 1441-1523

Gemälde ID::  85492
Crucifixion
Date c. 1504-1505 Medium tempera and Oil on panel Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in) cjr
Crtona 1441-1523

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  87903
Crucifixion
between 1502(1502) and 1503(1503) Medium Oil on wood cyf
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations

Gemälde ID::  88194
Crucifixion
between 1420(1420) and 1425(1425) Medium Oil on wood transferred to canvas Dimensions Height: 56.5 cm (22.2 in). Width: 19.5 cm (7.7 in). cjr
1395-1441 Flemish Jan Van Eyck Locations

   
 

 

 
   
      

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Jan provoost

Dutch, born circa 1465-1529

Gemälde ID::  88818
Crucifixion
1500(1500) Medium Oil on oak panel cyf
Dutch, born circa 1465-1529

   
 

 

 
   
      

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Jan provoost

Dutch, born circa 1465-1529

Gemälde ID::  88819
Crucifixion
first half of 16th century Medium Oil on oak panel cyf
Dutch, born circa 1465-1529

   
 

 

 
   
      

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Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

Gemälde ID::  89023
Crucifixion
c. 1515(1515) oil on oak cyf
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations

   
 

 

 
   
      


Gemälde ID::  89153
Crucifixion
1490s Medium oil on wood cyf

   
 

 

 
   
      

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Pietro Perugino

Italian 1450-1523 Pietro Perugino Galleries

Gemälde ID::  89313
Crucifixion
between 1503(1503) and 1506(1506) Medium oil on wood cyf
Italian 1450-1523 Pietro Perugino Galleries

   
 

 

 
   
      


Gemälde ID::  89340
Crucifixion
1490s Medium oil on wood cyf

   
 

 

 
   
      

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Luca Signorelli

Crtona 1441-1523

Gemälde ID::  89603
Crucifixion
1504-1505 Medium tempera and oil on panel Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in) cyf
Crtona 1441-1523

   
 

 

 
   
      


Gemälde ID::  90995
Crucifixion
Oil on oak panel, 77 x 47 cm Staatliche Museen, Berlin Date 1440s cyf
c.1399-1464

   
 

 

 
   
      

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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492

Gemälde ID::  91675
Crucifixion
1445(1445) and 1462(1462) Medium oil and tempera on panel Dimensions Height: 81 cm (31.9 in). Width: 52 cm (20.5 in). cyf
Italian Early Renaissance Painter, ca.1422-1492

   
 

 

 
   
      

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Mikhail Nesterov

Russian artist.1869-1938

Gemälde ID::  92002
Crucifixion
Oil on canvas Date 1912(1912) cyf
Russian artist.1869-1938

   
 

 

 
   
      

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Rogier van der Weyden

Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance

Gemälde ID::  93668
Crucifixion
1440s Medium oil on oak panel Dimensions Height: 77 cm (30.3 in). Width: 47 cm (18.5 in). cjr
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance

   
 

 

 
   
      

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MASACCIO

Italian Early Renaissance Painter, 1401-1428

Gemälde ID::  94642
Crucifixion
circa 1426 Type panel Dimensions 83 cm x 300 cm (33 in x 120 in) cyf
Italian Early Renaissance Painter, 1401-1428

   
 

 

 
   
      

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Giulio Carpioni

(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.

Gemälde ID::  95888
Crucifixion
circa 1648(1648) Medium oil on canvas cyf
(1613 - 29 January 1678) was an Italian painter and etcher of the early Baroque era. Born probably in Venice, Carpioni studied under Alessandro Varotari (il Padovanino) and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being St. Anthony of Padua, Christ on the Mount of Olives, The Virgin reading, and The Virgin with Rosary. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the Apotheosis of the Dolfin family (1647) and the Allegory of the Grimani Family (1651), and altarpiece of Sant'Antonio da Padova, a Virgin and two saints, and a Triumph of Silenus in the Gallerie dell Accademia of Venice. He painted a series of canvases for the Oratory of San Nicola da Tolentino in Vicenza.

   
 

 

 
   
      

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Jindrich Prucha

painted Village Green in 1910 - 1911

Gemälde ID::  97126
Crucifixion
1912(1912) Medium oil on cardboard Dimensions 52 X 68.5 cm cyf
painted Village Green in 1910 - 1911

   
 

 

 
   
      

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Maarten van Heemskerck

(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

Gemälde ID::  97222
Crucifixion
between 1545(1545) and 1550(1550) Medium oil on panel cyf
(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.

   
 

 

 
   
      

Maarten van Heemskerck
(1498 - 1 October 1574) was a Dutch portrait and religious painter, known for his depictions of the Seven Wonders of the World. He was born at Heemskerk, North Holland, halfway between Alkmaar and Haarlem. His father was a small farmer, Jacob Willemsz. van Veen (whose portrait he painted). According to his biography, written by Karel van Mander, he was apprenticed to Cornelis Willemsz in Haarlem. Recalled after a time to the paternal homestead and put to the plough or the milking of cows, young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave home for ever by walking in a single day the 80 km which separate his native hamlet from the town of Delft. There he studied under Jan Lucasz whom he soon deserted for his contemporary Jan van Scorel of Haarlem. Even today, many of Heemskerck's paintings are mistaken for work by van Scorel. He boarded at the home of the wealthy Pieter Jan Foppesz (the van Mander spelling is Pieter Ian Fopsen), curate of the Sint-Bavokerk. He knew him because he owned a lot of land in Heemskerck. This is the same man whom he painted in a now famous family portrait, considered the first of its kind in a long line of Dutch family paintings.
Crucifixion

        
 
   
 

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